Monday, December 11, 2006

This Should Be My Sole Christmas Blog Post

Have you ever asked yourself "Why has the portrayal of Jesus in art drifted far from the likelihood he was a brown-skinned Semitic Jew?"

Matthew Philips has the answer:-

Whitewashing Jesus

An excerpt:

While we can never be exactly sure of what Jesus, Mary and Joseph actually looked like, we know they were not fair-skinned, flaxen-haired Europeans...In all likelihood, what they were was something in between: olive-skinned, dark-featured Semitic Jews living in Israel...

...With New Line Cinema’s new movie, “The Nativity Story,” we finally get what many historians agree is a more accurate representation of the Holy Family. Cast with a group of dark-haired, dark-complexioned actors whose nationalities range from Guatemalan to Australian and Irish to Israeli—those who aren’t Middle Eastern certainly look like they could be—the movie strives for physical accuracy...

...The mainstreaming of a white Jesus began in earnest during the early Middle Ages in Europe, a time and place where darkness had a powerfully negative connotation. Eighth and ninth century European theologians, obsessed with the symbolism of the Passion, began ascribing blame to the Jews. As such, Judas and King Herod and eventually Pontius Pilate came to be represented in dark, sinister hues while Jesus became increasingly white.

“The oldest basis of all Christian art is the clash of good versus evil, light versus dark,” said Colum Hourihane, director of the Index of Christian Art at Princeton University. “This was particularly the case in the ninth and tenth centuries, when basically the Jews assumed a dark coloration [in art] while Christ became radiantly white, illuminated.”


Ah, the dark side of history and hate.

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